Maach is used for the stage itself as also for the play.
songs are given prominence in between the dialogues.
The term for dialogue in this form is bol and rhyme in narration is termed vanag.
The tunes of this theatre form are known as rangat.
9. TAMAASHA - MAHARASHTRA
evolved from the folk forms such as Gondhal, Jagran and Kirtan.
female actress is the chief exponent of dance movements in the play. She is known as Murki.
Classical music, footwork at lightning-speed, and vivid gestures make it possible to portray all the emotions through dance.
10. DASHAVATAR - KONKAN AND GOA
personify the ten incarnations of Lord Vishnu-the god of preservation and creativity. The ten incarnations are Matsya (fish), Kurma (tortoise),Varaha (boar), Narsimha (lion-man), Vaman (dwarf), Parashuram, Rama, Krishna (or Balram), Buddha and Kalki.
Apart from stylized make-up, the Dashavatar performers wear masks of wood and papier mache.
11. KRISHNATTAM - KERALA
came into existence in the middle of 17th century A.D. under the patronage of King Manavada of Calicut.
Krishnattam is a cycle of eight plays performed for eight consecutive days.
The plays are Avataram, Kaliamandana, Rasa krida, kamasavadha,Swayamvaram, Bana Yudham, Vivida Vadham, and Swargarohana.
episodes are based on the theme of Lord Krishna - his birth, childhood pranks and various deeds depicting victory of good over evil.
12. MUDIYETTU - KERALA
celebrated in the month of Vrischikam (November-December).performed only in the Kali temples of Kerala, as an oblation to the Goddess.
depicts the triumph of goddess Bhadrakali over the asura Darika.
seven characters in Mudiyettu-Shiva, Narada, Darika, Danavendra, Bhadrakali, Kooli and Koimbidar (Nandikeshvara) are all heavily made-up.
13. THEYYAM - KERALA
'Theyyam' derived from the Sanskrit word 'Daivam' meaning God.
Hence it is called God's dance.
performed by various castes to appease and worship spirits.
distinguishing features - colourful costume and awe-inspiring headgears (mudi) nearly 5 to 6 feet high made of arecanut splices, bamboos, leaf sheaths of arecanut and wooden planks and dyed into different strong colours using turmeric, wax and arac.
14. KOODIYAATTAM - KERALA
based on Sanskrit theatre traditions.
characters of this theatre form are:
Chakyaar or actor,
Naambiyaar, the instrumentalists and
Naangyaar, those taking on women's roles.
The Sutradhar or narrator and the Vidushak or jesters are the protagonists.
Vidushak alone delivers the dialogues.
Emphasis on hand gestures and eye movements makes this dance and theatre form unique.
15. YAKSHAGAANA - KARNATAKA
based on mythological stories and Puranas.
most popular episodes are from the Mahabharata i.e. Draupadi swayamvar, Subhadra vivah, Abhimanyu vadh, Karna-Arjun yuddh and from Ramayana i.e. Raajyaabhishek, Lav-kush Yuddh, BaaliSugreeva yuddha and Panchavati.
16. THERUKOOTHU - TAMIL NADU
literally means "street play".
mostly performed at the time of annual temple festivals of Mariamman (Rain goddess) to achieve rich harvest.
there is a cycle of eight plays based on the life of Draupadi.
Kattiakaran, the Sutradhara gives the gist of the play to the audience
Komali entertains the audience with his buffoonery.
17. KARYALA- HIMACHAL PRADESH
deals with serious question of life & death briefly and with simplicity of expression & diction, all enveloped in humour.
Indeed, audience is given essence of our cultural heritage of viewing the world as a stage and as an unsubstantial pageant which is to be negotiated and lived by rising above it.
There is often stylistic diversity, which strengthens their identity from Swang, Nautanki, Bhagat, etc..