(FREE) UPSC Current Affairs 2024 PDF

(GIST OF YOJANA) Celluloid Patriotism

(AUGUST-2024)

Celluloid Patriotism

Introduction:

India, the land of storytelling, has always had numerous art forms to narrate stories. Cinema is a relatively newer yet one of the most popular art forms—for entertainment, education, employment, and as a means of enlightenment for many.

Key highlights:

Indian cinema has been around for more than 100 years now and has played a significant role during the freedom struggle, serving as a powerful medium to evoke public sentiment, foster nationalistic feelings, and challenge colonial rule.
In its initial stages, it portrayed themes of patriotism, valour and defiance against oppression. Films like Dadasaheb Phalke’s ‘Raja Harishchandra’ (1913), Kanjibhai Rathod’s ‘Bhakta Vidhur’ (1921) and H M Reddy’s ‘Bhakta Prahlada’ (1931) depicted moral courage and righteousness, resonating with the Indian Nationalist Movement.
It provided a platform for political discourse as actors and filmmakers actively participated in nationalist movements and used their influence to support causes like the Quit India Movement of 1942, amplifying the voices of freedom fighters. Composers like Pandit Ravi Shankar and Salil Chowdhury infused nationalist fervour into their compositions, creating melodies that resonated deeply with the aspirations of a free India.
Cinema played a significant role in the freedom movement in India, and Maharashtra in particular, since film industry initially flourished in Mumbai. Marathi cinema actively propagated nationalistic values and ideals through its films. Directors like Vishnupant Damle, V Shantaram, Bhalji Pendharkar, etc. used their films to depict the struggles and aspirations of the common people, aligning their narratives with the broader goals of the freedom movement.
Films such as’SantTukaram’(1936) and ‘Duniya Na Mane’ (1937) celebrated Maharashtra’s cultural heritage while advocating for social justice and independence. Films portrayed historical figures like Shivaji Maharaj, Rani Lakshmibai, etc. as symbols of resistance, inspiring generations to fight for independence. Films like ‘Mahatma Phule’ (1954) and ‘Ramshastri’ (1944) celebrated local heroes and cultural icons, reinforcing pride in Maharashtra’s history and traditions amidst the struggle for freedom.

Conclusion

Thus, Indian Cinema during the freedom struggle was not just a form of entertainment but a potent instrument of social change and political awakening. It played a crucial role in shaping public opinion, nurturing a spirit of resistance, and ultimately contributing to the journey towards India’s independence in 1947.